Beside the Seaside

Street Photography

Model Weather

Having finally taken the plunge and given up my studio, there seemed no other way to get me out of its cozy confines I booked Meg for a location shoot. The weather forecast the previous day had promised a bright and sunny day with odd local shower and the blue sky looked promising as I pulled up outside her flat. Continue reading

Longing For a Full Colour Life

Longing For a Full Colour Life

She stands alone before sink and bowl
And feels the ache within her soul
The hand that once caressed her there
Rests on the arm of favourite chair

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Find Photography Models

Oh Joy Oh Bliss, I wonder where the model is? (First published in 2014)

Model on Location
Summer Breeze

I recently decided that I needed to shoot some pictures for a website with some new models: as if I hadn’t already lost enough hair. Now the internet is a wonderful place as long as you remember that 90% of it is made up by people who have no idea what they are talking about whilst only about 10% is actually useful. (Oh and since you wondered only 4% is porn *). At this point you should be saying ‘How does he know this? Actually I don’t; I just made up the first two statistics based on my personal experience and bias. The third statistic actually comes from a reasonably creditable source and if you follow the * to the bottom of the page you will find a link to where this came from. Continue reading

Exposure Settings

Camera exposure settings are taken care of by the Auto or Program features on your camera most of the time. Sometimes the auto system get confused and need a little human help. Download these PDFs to find out how to set your camera for the optimum exposures.

Sunset in Crete - camera exposure settings

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Photographic Composition

Composition This link will open a free downloadable illustrated PDF on composition.

Composition or Technique – which is the most important?

Please note: All images and text are copyright Simon Pocklington. The PDF is free to download but no distribution or reproduction is allowed for commercial gain or via any website run for profit. If in doubt and to avoid a large claim for damages contact the author prior to distribution via the contact page on this site, www.viewfinders.org.uk or www.viewfinders.zenfolio.com

Five a Day

Apple & Peach
Apple and Peach

I woke up this morning
and thought the sun was a lemon.
Well maybe a grapefruit as lemons are
well – lemon shaped.

My blackberry was on orange
and sat plum in the middle of the table.
I must get an Apple I thought
I’m not getting my five a day.

I walked through the car park.
A pot of cream in my hand.
and found a pear
sitting beneath an oak tree.

Composition or Technique?

A lot of people feel that they are missing something if they do not know about the technical aspects of photography. They worry what all those f’s and hundredths mean; is there some black art to which they have not been initiated? What you should be worrying about is composition.

When I type on this computer keyboard words appear on the screen. I know very little about the technical process that makes this happen and it has very little effect on the quality of my writing. If this is rubbish it is because I typed rubbish (no comments please). If the computer has enough capacity to do the task, I have the right programs installed and I know which buttons to press, that is all I need to know.

Modern digital cameras have brought photography to the same level. Automatic exposure and focusing systems have freed even professional photographers from a lot of the technical aspects of picture taking; letting us concentrate even more on the picture.

Yes, I know there are times when human intervention into the automatic controls is required – more on that in another post.

The biggest single factor in producing a ‘good’ picture is not technical expertise, it is not even the subject, it is how you place that subject in the picture – the composition.

Composition This link will open a free downloadable illustrated PDF on composition. Please note: All images and text are copyright Simon Pocklington. The PDF is free to download but no distribution or reproduction is allowed for commercial gain or via any website run for profit. If in doubt and to avoid a large claim for damages contact the author prior to distribution via the contact page on this site or www.viewfinders.zenfolio.com